nice price deal !!! two tracks from the man himself, and a remix from calle dernulf & martin halinowskis svida outfit, whom you might know from their work on samuel l sessions label, klap klap.

more gb brilliance on his own label, gifted & blessed. soul is always in this mans machines, and we are big fans. this four tracker is certainly some of his best work to date... tip!

believe delivers a consummate body of work with which nicoles considerable abilities in the studio are clear for all to hear. a wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. furthermore, it lives up to the high-standards of previous drumcode long-players and is an engrossing and impressive debut and one that offers a smooth segue into the next chapter of an already exciting career. sampler 3 kicks off with liberum spirita with its mazy ethereal breakdown on the flipside is the rhythmically entrancing yet uplifting fly with you.

oh cruel science is the thirteenth enklav release, the second to be printed on vinyl, as well as the second work for enrico luccheses project evn.after his first mini-album cloche insecure, a 56 minutes journey in a dilated abstract land stretched in long dreamy melodies and at times crushed by squelchy fast beats, evn presents his more beat-oriented work.oh cruel science is a 5 tracks ep in which noises, synths and drums create evolving hypnotic textures, imaginary landscapes of repetitive pulsating patterns composed to be a complete physical-emotional-intellectual experience. evn sounds come from the use of analog modular synthesizers and digital machines with which he creates his own timbres and structures starting from scratch through the manipulation and modulation of raw waveforms and noises by means of meticulous patching and looping techniques.

federico leocatas latest experiment on abstract forms is stunning. drawing inspiration from the experimental style and themes of recurrence in nietzsches thus spoke zarathustra (1883-1885), leocatas ep is hypnotic and seductive. the ep harks to the work of the legendary gerald donald in guises such as heinrich mueller, der zyklus and japanese telecom - awesome and unmistakably futuristic sounds with natural funk and a sense of wonder and enlightenment.

der opener des neuen aufgang-albums, ein solides werk zwischen rave-techno und klassischem piano, erfaehrt den remix von stimming (von der hamburger diynamic-crew), von dubstepper netik aus frankreich, von sleepers work per entschleunigungskur und von torb (cassius records) mit einer militanten interpretation.

love pain sunshine & rain aka lopasura, on only its second release is evidently becoming a force to be reckoned with. benedikt freys distinct rugged aesthetics toy with some conceptual ideas for each contribution, flirting with greek mythologies, romantic legends and the idea of intricate layered meanings and rhetorics for the ep as a whole. coarse kick drums and clattering percussions are used in conjunction with epic industrial and machine-like synth lines, beautifully engineered and held together by the mixed emotions and moody atmospheres present in all three tracks. the genuine and heart-felt intent with frey’s work is undeniable, producing a fine and certain quality that will surely resonate with anyone in favour of the live and raw musical attributes he is skillfully displaying with each new release.

ltd 2013 repress !!
big with: john daly, dj hell, marcus worgull, nick curly, wighnomy brothers, jazzanova, julius steinhoff, jimpster, till von sein, dionne, p.toile, trickski, carsten klemann, dave dk, sevensol, anthony collins, michael reinboth, christopher rau ...
ok, first of all i want to reveal a myth: these infotexts are mostly writtenby the labelowners themselves, not by hard-working editors. so what happens, when the guy behind a label releases his own music? well, either he is a well-organised deadline-machine and he asks somebody capable of doing this stupid job, or he realizes:
>oh fuck the distribution whats to do their work and they needed thissheet weeks ago...< so in the end, hes gotta do it himself: of course,now i could tell you how great this record is (what it is!) and what ahell of a motherfucker i am (also true!)... but i prefer telling yousentimental other bullshit instead... :)
this ep marks a newbeginning in my career. since some time now, >the fog burns off< and we get more and more stable in the buisness. last year we were on the road quite a bit and we found many new friends. people from other cities, who believe in the same things, who do similar stuff and who are of the same kidney as we are. so that makes me very happy, which reflects in the music. for the first time i feel like coming home, although we are at the beginning of our journey into the industry yet.

believe delivers a consummate body of work with which nicoles considerable abilities in the studio are clear for all to hear. a wide-range of sounds that is sure to appeal to the idiosyncratic tastes of the various sub-sections of electronic music community. furthermore, it lives up to the high-standards of previous drumcode long-players and is an engrossing and impressive debut and one that offers a smooth segue into the next chapter of an already exciting career

with the fractal ep, we proudly present you the first co-production of the chilean artist aldo cadiz and the spanish oscar barila on our label deep circus!
with the original tracks on the fractal ep, aldo and oscar provide us with a harmonious, groovy piece of work, merging the sounds of deep house and tech house. italian artist alex costa provided the original track with even more power in his interpretation and made it a peaktime burner. the second song menisko was remixed by raphael dincsoy and pierre deutschmann and became a dark techno track in their edit. enjoy!

part ii of the remix 7 series of andy vaz >straight vacationing lp< on yore. album tracks getting a re-work on this little beauty are: detroit in me remixed by patrice scott & stubnitz remixed by memory foundation

we are very happy to welcome our old friend pablo valentino for the second release of 2013. it is no coincidence if pablo & dairmount hooked up nearly 10 years ago when pablo started his imprint faces, dedicated to leftfield black music influenced soundscapes rooted in hip hop culture. both sharing a strong sense of underground activism, a deep love of the black music tree and a lovely obsession for futuristic sounds, it is no surprise that these two naturally decided to join effort under the room with a view umbrella.
next up, pablos monster original received the magic treatment of amsterdams finest dam swindle. one of the hottest dj & production units of the global house scene confirms here why labels like freerange, saints & sonnets or dirt crew went bananas to sign their early work. the dutch duo has made a spectacular & fast rise and is already in high demand all over the planet. their inimitable blend of melodical grooves, jazzy chords and bumpy bass-lines seemed to be tailor made to translate a new school approach to pablos rooted original tune.

all us here down on bird scarer farm have been fans of the work of mr. craig bratley for some time, so it is with pleasure unbound that i announce the release of bird scarer 4.manufactured in a town just outside leeds and tested on humans for the first time in a tent just outside skipton. ladies and gentlemen... boys and girls. obsession by craig bratley. a sleazy new-beat erotic monster of a tune channeling mr. delgado and mr. gorl (thats d.a.f. to the un-initiated) in the original version and slo-mod even more with added live bass (andy baxter) and guitar (courtesy of ex sons of slough member mr. duncan gray) via the asphodells mix.

london based electronic marvel kel mckeown - aka kelpe - celebrates ten years of sonic boundary pushing with new maxi single, drut001/ answered - out april 15th - and new lp drut002/ fourth: the golden eagle - out june 3rd - both on his brand new label drut. setting to work with a selection of analogue synths - moog, korg polysix, korg ms10 and doepfer dark energy - the ableton aficionado and purveyor of warped, cut n spliced cliq-hop beats has delivered a handcrafted, 10-track masterpiece of an album which draws upon the strengths of his previous three.

here comes the first release lf the outstanding super disco stars hard ton on our label! with a-side track rise up we have the first track with chart potential on our label we d say. we love it anyway! b1 track work that body shows off the heavier jacking side of hard ton and b2 monotone rounds up the ep with its uplifting house chords. not our average cup of tea, but we fckng love it

** vinyl only release !!**
leif steps up to sudden drop with a powerful 4 tracker. effervescent keeps the beats deep and dubbed out but with a real sense of pace to work the dancefloor. snowfall works as a counterpoint. a beatless lush soundscape with glorious warm pads and echod vocals. snowfall roughs things up with tough drums and percussion whilst nde is a pure slice of melody infused house bliss

mechanized rumblings from the one of the pioneering cities of the industrial revolution. iii rivers takes the militant work ethic of the cotton trade and transports it to a nuclear based factory-line based on humankinds next proposed landing bay. when the inevitable apocalypse does occur, it’ll be these vibrations soundtracking the construction of our new civilization.

keith tuckers optic nerve persona returns with the timelapse ep. side a1 minimal detroit mix is a dark minimal mood beat pumped excursion into techno floor stumper. a2 time displacement mix is a completely different take with alternative beats creating a sort of shift in time. the tracks show tuckers growth and influence on electro and techno with his work in aux 88. side two one moment in time is a detroit sort of metroplex gem. tucker once again shows his melodic melodies and baselines that shows his love for detroit music and grooves. a highly thought out sequence of great sounds and string chords as only optic nerve does it. tucker has hinted many times that he has a lot of unreleased music from his metroplex days! b2. transient force records label owner as1 gives us a true electro mix which keeps alot of the original mix of one moment in time. the tone is a more electro clash techno mesh of urban beat programming for the electro heads.

sophistication and elegance have not always been the strobe light honey for die-hard divers into the dance genre, but it has been octo octas strongest suit since his 2011 debut 12 inch on 100% silk, and here again are those initial ideas of identity and hunger for intimacy all leading to an adrift, uneasy feeling, only they have materialized into that instantly recognizable, authentic oo sound.

after making quite an impression with his work on items & things, kill the dj, snork entreprises, respoal schallware and correspondant in the last two years, tomas more steps up to release his debut ep on gtcm. this two-part ep provides a unique glimpse into tomas world and the contrasting results his talent produces. part i focuses on the more atmospheric side of tomas sound. heartfelt, genuine, perhaps surprising for some, this release is nonetheless essential as it contains gorgeous original tracks and boundary- pushing remixes from italian new yorker madteo. this guy has simply been last years hero with groundbreaking music released on worlds finest imprints such as hinge finger, wania, trilogy tapes, morphine and a monumental lp on legendary sakho recordings

following on from februarys critically acclaimed heritage ep for hotflush, locked groove aka tim van de meutter returns with two jams to inaugurate his own eponymous imprint - a limited-run, vinyl-only vehicle to channel his relentless work ethic.
over the two sides of locked groove records #1, unabashed 90s piano-house nostalgia meets gritty 303 bass festooned with de meutters signature melodic style.

dj dijital and dj maaco team up for a smash collaboration of electro funk. sinister aliens are in the studio making dope basslines for us ... we didnt do the work they did!

a journey into connective contrast, the oxymoron lp is justice & metros best collaborative work to date. a refined exploration of self, history and the unmistakable mjazz sound. paradoxically both future and retro, a true oxymoron. support from dj flight, blocks, asc, sam kdc, code and jason os.

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

vinyl only
following the all out of place ep released on tsuba limited in 2011 we welcome back blm with another outstanding 12 inch. intricate production and a warm pallette of sounds characterise blms work and this ep will further enhance his already burgeoning reputation as one of the uks most promising producers

ten tracks that bear witness to this duos maturity. this is a handmade album that pays very much attention to details. with personal sound design and synthesis work. on good old plastic circles and downloadable data formats.

antigone is an artists coming from the depth paris producing and digging for several years now. the three tracks are a travel in to different style of techno with the intention to reach a certain emotion that is close from nostalgia and really deep feeling. the challenge of this work was to find a good balance between sound and colour, focusing on an old sci-­&#8208,,,fi landscape. with a really mature perception this young artist is developing his own sound, a detroit atmospheres, openly characterize this ep, but it remains antigone work at the end with all his sense of details and perception.

from nyc to perugia, via thug records comes brothers from other mothers. jason letkiewicz aka steve summers kicks things off and delivers 2 signature cuts of sleazy late night coercion with casual encounters & the trace. the flip crosses the atlantic and lands in a rural stronghold for the underground, perugia italy. simoncino relating 2 equally provocative dark room work outs with pleasure zone & battle of the pacific. brothers from other mothers e.p, steve summers & nick anthony simoncino, raw analog classixxx. the future is now.

with a background as a promoter, dj, and producer going back to 1995, sammy goossens is a veteran par excellence in todays techno scene. starting off with production work on respected techno imprints like rotation, re-load, tresor, and r&s, he has spent time co-producing for legends like the suburban knight and managing jay haze’s contexterrior and tuning spork labels. alongside friend marcus vector, they started the toys for boys imprint in 2004 and put out a prolific string of releases from top minimal house names like quenum and jona while pushing forward their own careers as producers. now based in berlin and as active as ever, sierra sam honors caduceus records for our fourth release, featuring remixes from jacob korn, oliver deutschmann, and label head lad.

up next on newly reinvigorated emotif recordings comes a storming 12 inch from production team d-region & code. known for their breathtaking remixes and heavy-hitting solo work, these skilled producers are a welcome addition to emotifs future heritage.

first release on vinyl le galassie di seyfert records two trips to high-intensity sound and atmosphere, hypnotic,intriguing and psychedelic work of great talented carlo boselli.techno superb white vinyl only! no more words! just listen!

the manchester based music with content imprint returns this april, with a four track ep from greek producer sek.
music with content launched in 2012 with a collaborative release from content resident, eddie leader, teaming up with agnes and iron curtis, followed by a three tracker from deymare, backed with a deep space orchestra mix, an indication of the sheer quality coming from the label from the very beginning. here it shakes things up a little with a release from a contemporary house producer, sek, notably known for his work on off, apparel music and deep series. sek aka dimitris kesses, delivers heady house grooves infused with warmth and soul.

wildheart recordings is theo parrishs new london-based label. sound signature releases for the body, wildheart is for everything else, is theos pithy summary of his two labels aims and compatibility. day like this and feel loved are the first fruits of parrishs work with the legendary lagosian, tony allen.

dont wanna go to ep features three deep and warmly textured productions. the title track is a creeper with its spoken vocal and popping synth work. take one step back matches smooth rhodes keys with sumptuous acoustic guitar and goosebump-inducing vocal. final cut honey bomb steps up the tempo and increases the funk. twisted electric riffs and echoing chimes working brilliantly together to create a dancefloor gem.

new jacking retro dance mania chicago vibes on this new label from malmo! first release comes from patrick sjerén. he produced a whole lot of acid and techno back in the 90s (one which omar s picked up for his 998 release). this release comes with an cool remix by rivet!

wild oats is proud to present the kmfh debut album the boat party. after a year of collaborative releases, kyle hall, under the alias kmfh, has produced a debut album, a fusion of original work, sample tracks, and raw edits. the boat party album artwork pokes fun at european summer boat parties and juxtaposes the destitute state of detroit and its recent proneness to discarded luxury in financial crises. mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. the listener has a certain commitment to the material which definitely has its place on the dance floor. you can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. the boat party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds, kmfhs cueing into the true aspects of detroit.

lycaon launches syntagma, its fourth release, a work of aiken, an artist closely related to the distinctive sound of the label and one of the pillars that will hold its future production. an original cut and two remixes by agony forces, lycaon owners, round off the tracklist of this release

of course the acid rebirth is the masterpiece here, in a sense. a bloody good reprise, totally replayed with hardware of the rebirth from jones and stenfenson on bonzai. finishing on a big frustration: still some work for the dj! but also with the interstellar delivery, mr gasmask brings a superb techno trance tune. at least afx fans will enjoy the last tune, the arboria tribute:a superb acid broken stuff, in the pure oldschool tradition of this owesome style. 200 copy limited!

mr. oleg poliakov joins the phonogramme team. also known for his releases under the skat moniker, olegs early production career was built on creating beats for hip-hop mcs and lending his studio skills to rappers. switching to radio production, he went onto to work with french national stations, further enhancing his technical skills. it was at this time his began to explore electronic music as a composer. with a sound that strays from specifics, he looks to create his own compositions using a subtle combo of all electronic worlds. his early releases on labels including karat and sthlmaudio won him acclaim, but it is his releases for circus company that have really put him on the map.

a new set by the coolest chap in new york city documenting the before-and-after development of a solo electric guitar piece that alan licht has been playing out for last four years. revered for his work in the blue humans and text of light, and a key figure in his generations pantheon of experimental solo guitar players (such as jim o rourke and oren ambarchi), four years older is his debut editions mego release, representing another peak in a career of mining the rich seams of minimalism, noise and avant-garde in general that stretches back more than two decades.

diamond version craft music that is somehow simultaneously futuristic and archaic. on the surface, its static effervescence and mechanistic precision evoke the march of technology and the sinister detachment of late capitalist society. but it affects listeners on a more instinctive level, interfacing directly with the nervous system and rendering the polyphonic chatter of the bodys impulses crisp and cold. there is something oddly permanent about they rhythms they unearth, as though theyare simply tapping into a deeper pulse that has always been present within their circuitry. diamond version is a collaborative project between two of the most groundbreaking, experimental and forward thinking operators in modern music, olaf bender and carsten nicolai. as joint heads of the berlin-based label raster-noton and with solo projects alva noto (nicolai) and byetone (bender), for over a decade they have been releasing work that spectacularly blurs the lines between the visceral and the conceptual, bridging the gap between gallery and dancefloor. diamond version release the latest instalment in their series of eps leading up to an album in summer 2013.

on naughty, the debut release for brooklyn-based free association, chopped soul vocals bask in the glow of detroit-styled synths. underpinning it all is the kind of low slung machine funk a certain mr. weatherall is known to gravitate towards. no surprise, considering the legend himself licensed name in lights ur oskunni for his masterpiece compilation last year. meanwhile, across town, studio barnhus doyen axel boman continues to chart his own musical path. his rub of naughty explores a warm and measured approach that has already found favor with his heroes, dixon and koze. while bomans gaze is directed towards the heavens, bushwick newcomer cameo culture has his sights set squarely on the floor. a distinctive bounce permeates the work of this budding house producer, who brings an undeniable disco swagger to his remix.

after a year of hard work, we are very proud to present the first fresh ep, elegance is destroyed composed by david fjörgenson and mia kaltes. first of a long series of a great new project by the new swiss label finefood records, includes in this release a special rmx by seph

mike storm comes from the underground scene of the 072 area in the netherlands. in the late 90s he started as a dj, soon he moved from turntables to his first equipment and started performing live-sets on various local partys. while the underground scene was highly involved electro and techno music, mike learned from it’s established djs & producers and how to work with analog equipment. as of this day, he still produces his tracks still without any computer sequencer. mike storm is most of all inspired by the sound from detroit and minimal dark techno and his biggest passion is performing live on stage. in 2012 mikes coming out of the underground scene and sees his music is being appreciated by the likes of jeff mills and dimi angelis. both djs frequently use his tracks in their sets.

handnumbered repress, ltd to 100 copies! vinyl only! the emotiv rational machine is in full effect and gives the unnesessary things no attention and focussing only on its own distinct goal, which is to make you dance. no fancy melodys, which are distracting you from being one with the bass and the 4 to the floor. no distraction from overloaded ego spilled arrangements. no tellin you who is the ......! you know that talk from your favorite blog. let the maschine do the work. strictly limited handstamped vinyl with sticker.

on the eve of our 3rd anniversary area recordings comes full circle with a new release from founder be-1ne. following on in the tradition of his past work he brings two exciting and original tracks. steering clear of repetition and pushing the thought and approach to 140 bass music, this is sure to be one of the standout releases of 2013.

30 year old london born ali pearce, aka stealth is a dj/producer that has been on the scene for many years. his diverse style and maturity of sound has seen him successful in many areas of the drum and bass spectrum, achieving releases on some of the industries most respected labels including – v recordings, renegade hardware, subtitles, frequency, intasound and many more… after honing his skills as a teenager on the illegal rave scene in the late 90s, his early days as a dj saw him picked up to be a resident warm up artist for the legendary promotion movement, going on to play at some of londons top nightclubs over the years, as well as abroad, and hosting weekly shows on origin fm. the last few years have been focussed more and more towards his productions, allowing him to cultivate his skills as an artist, and securing dj support of his work from the likes of – andy c, chase and status, subfocus, marky, bailey, bryan g, calyx, teebee, dbridge, break, ulterior motive, zero tolerance and xtrah to name a few! the future definitely looks bright for this budding producer, as 2013 kicks off with an ep due out on subtitles early in the year, as well as material lined up for release on andy cs new imprint program, so keep your ears peeled!

its dub- and detroit-techno, esser style. after 4 years label boss returns with a new ep on his own wltd ltd. ambiguity and introspection have always been a big part of his work, this ep just takes it to the next level.

the minicoolboyz make a big comeback to their beloved home label today, and announce an exclusive, limited edition series of vinyl-only releases that will showcase their new sound and direction. 300 copies, every one a 180 grams colored disc, 3 tracks each: simple and effective, the new work starts off with 3 techno bangers, hot as fire and damn ass-kicking right there